Whether we like it or not, stories in the form of books and broadcast programmes are commercial products. This crossover between art and commerce is perhaps most evident in children’s stories and their subsequent product ’spin-offs’. As writers we need to be aware of what those spin-offs may be and whether or not we are comfortable being used to flog them to children. The Crafty Writer asked Dr Dan Acuff, a marketing consultant for companies such as Nickelodeon, Disney, Hallmark, Warner Bros., Scholastic and Lucas-Speilberg, what a writer needs to consider.
Continue reading ‘Commercial exploitation of children’s books’
Archive for the 'Business of Writing' Category
One of the most time-consuming task of any freelance writer is looking for and following up leads on new markets. I’ve just come across a website that helps you find paying outlets in fiction, poetry and non-fiction writing. You can also sign up (free) for a weekly newsletter that provides you with a round-up of market opportunities. Visit Worldwide Freelance Writer for more information. There is also a dedicated European sub-division called EU Writer.
It used to be vanity publishing, then along came self-publishing, now the buzz word is ‘co-publishing’. What is it, and is it worth it from a writer’s perspective? The Crafty Writer investigates.
It’s not vanity publishing
Well firstly, let me say that it is not vanity publishing. In fact, since the self-publishing revolution, brought on by Print on Demand (POD) technology, the charlatans who preyed on desperate writers seem to have scurried back into their holes (although I fear, some of them may have re-emerged as ‘co-publishers’). Vanity publishers will print anything. They claim to be ‘real’ publishers but there’s no editorial input and, apart from a post on their website, no marketing or distribution either – and you of course foot the whole bill. In addition, you have to buy your own books from them, albeit at wholesale discount or ‘cost’. For more information see this article by the Society of Authors.
Continue reading ‘Co-publishing – pros and cons’
If like me you’ve written a screenplay and been lucky enough to have had it made, you’ll be wondering what to do next. Does your film have a life beyond the first screening? Yes, on the festival circuit. But some producers and / or directors may not seem too keen to do the legwork involved in getting it onto the circuit (fortunately my director is, and ‘Enemy Lines’ has just been nominated for the Best Short Film at this year’s Rushes Soho Short Film Festival - but more of that in another post). If that’s the case with you, perhaps you should consider distributing your film yourself (check with your producer first that you have the right to do so). And of course, if you’re an independent who has written, directed and produced your film, you’ll need to do it anyway. Screenwriter Keith Jewitt gives us some advice on how to go about it.
Continue reading ‘How to get your short film onto the festival circuit’
Some visitors to The Crafty Writer who have been following the non-fiction history writing series have been asking for something similar on writing historical fiction. So we asked Ruth Downie, author of Ruso and the Disappearing Dancing Girls (‘Medicus’ in the USA) to chat to us about writing historical crime novels. Ruth is married with two grown-up sons. She was born in North Devon and now lives in Milton Keynes. Her first book featuring Roman medic Gaius Petreius Ruso was published in 2006, and became a New York Times bestseller (albeit briefly, she reminds us!). Her second book Ruso and the Demented Doctor (‘Terra Incognita’ in the USA) is now on the shelves.
Continue reading ‘Writing historical crime novels – interview with R.S. Downie’
How many of you set a writing goal for 2009 that included earning money from your writing? Or earning more money from your writing? I’m in the second category. My creative writing, feature writing and screenwriting are going well but not earning that much money. (For a lively discussion on how much writers really earn check out Can you earn money as a writer?) With this in mind, I’ve decided I need to expand my commercial copywriting activities. I’ve set up a new Crafty Writer Copywriting Service website and am working on getting some new clients.
I also thought I’d better brush up on my copywriting skills. So I bought Write to Sell: the Ultimate Guide to Great Copywriting by Andy Maslen. Although the pompous title initially put me off (I’m suspicious of anyone who claims to be the ultimate or final word on anything) the reader reviews on Amazon convinced me it was worth having a look.
Continue reading ‘Copywriting: write to sell’
There’s a new writer in the world of children’s fiction and her name is Kelsey Drake. Kelsey’s first published book is Scordril, a novel for the 9 – 12 age group. It’s the story of a lair of dragons who are under attack from the sinister ‘night dragons’, wielding an ancient and dangerous magic. But what the readers of ‘Scordril’ may not realise is that Kelsey Drake is actually two people: Eleanor Patrick and Sue Brownless. The Crafty Writer asked Eleanor and Sue about their experience of co-authoring and self-publishing their first novel.
Eleanor Patrick
Sue Brownless
Last week freelance writer and guest blogger Suzanne Elvidge gave us some tips on how to find work in the potentially lucrative field of report writing. This week she shows us how to go about producing the copy.
Continue reading ‘Report writing – the nuts and bolts’
Writing for the business market or copywriting can be a lucrative string to a freelance’s bow. In this two-part series, guest blogger and freelance writer Suzanne Elvidge gives you some tips on how to find the work and then tackle the reports.
There are a lot of different types of report a freelance writer might be called on to write, for a wide range of different audiences. They include
- annual reports for a company or charity;
- reports from meetings and conferences, including those looking at research areas or products;
- reviews of products or topics; and
- business intelligence and market research reports.
Like all freelance work, there is no simple one stop shop for finding all the work you need (but if you know of one, please let me know…). There are as many places to find work writing reports as there are types of reports.
Continue reading ‘Report writing – finding work’
After twelve months of hard graft I was thrilled to finally see my four-minute short film, ‘Enemy Lines’, on the big screen. ‘Enemy Lines’, the story of a British soldier returning from Iraq and witnessing an anti-war protestor getting mugged, was one of 11 short films produced and screened through Northern Film and Media’s Stingers programme in Newcastle upon Tyne.
Now I’m ‘officially’ a screenwriter, with my very first commission in the can. Here’s what I’ve learnt so far about the writer’s role in the filmmaking industry:
Continue reading ‘Filmmaking – the screenwriter’s role’
Welcome to The Crafty Writer, published by Fiona Veitch Smith, a freelance journalist, editor, author, playwright, screenwriter and writing teacher. This site is full of information and resources to help you to become a better writer. 
