The Crafty Writer

In this fourth session of my free non-fiction writing course we will be looking at how you can mine your own experiences for publishable material. It’s not all about ‘I was born at an early age and died before I was ready’, so if the cradle-to-grave expose’ doesn’t attract you, there are more ways to use autobiographical material in your writing. We will look at autobiographical ‘lens’ books and articles, life-story autobiography, family history and ‘true life’ articles.

Autobiographical Lenses

A lens is something you look through to bring something else into focus. In the case of autobiography, you are using your own life experiences to draw your reader’s attention to something else. Take for example my article on protecting your copyright. I was commissioned to write an article on copyright for a writing magazine. I could have just written a factual piece giving the reader an understanding of what copyright is and how it applies to them, but instead I chose to use an illustration from my own life. I did this in order to show how a copyright issue might apply in real life. Note that my life itself is not of interest to anyone unless there is something in it that intersects with their own. In this case, the application of copyright law. I did a similar thing with Common Ground, an article I wrote on Christian / Muslim relations. In it I used quite a dramatic episode in my own life as a springboard into a discussion on religious tolerance on a broader scale. Again, it was not my life that was of interest, but how one episode in it illustrated a dilemma that many people face in their own lives.

Lens Books

Ordinary people can write books about extraordinary events or situations. The recently published Eight Lives Down by Chris Hunter is an account of his time as a bomb disposal officer in Iraq. Frankly, readers don’t give a toss about Chris Whatsisname, but they do about the unique insight he has into a dangerous job in a controversial war. The same cannot be said of Ewan McGregor, who many readers do give a toss about (some more than others). He has capitalised on his celebrity to market his co-written books with fellow actor and biker Charley Boorman. Long Way Round and Long Way Down are not the cradle to grave stories of these two men, but a travelogue of their adventures on two unusual journeys (more on travelogues in a later session). Many ‘lens’ books are ghostwritten or co-written such as The Choice which I wrote with Elizabeth Robertson Campbell. The lens of this book focused on a series of events surrounding a woman’s attempt to convert to Judaism. Since publication though, Elizabeth has become quite a celebrity in South Africa and the USA as her story has touched so many people.

Some lens books are expose’s of public figures or institutions written by insiders. If you would like to write something like this, make sure you take legal advice as to what you can and can’t include. More of legal matters in a later session. Examples of this sort of book are The Cancer Industry by pharmaceutical whistle-blower Ralph Moss and The Blunkett Tapes, a juicy insider’s view of the former Blair government by disgraced former home secretary David Blunkett.

Exercise 1
Have you had any unusual experiences that might interest readers? Jot these down and say why you think they might be of interest. If you like, you can post your ideas in the comments block below (in under 200 words) and I will give you my opinion on them. Alternatively, do you have any ‘insider’ knowledge of institutions or notorious events that might intrigue readers?

Life Story Autobiographies

As a ghostwriter, I’m approached by people who want me to write their life story. These are frequently people who have just retired and have finally found the time to reflect on their rich and varied life. The usual reason they decide to put pen to paper is that friends and family, who have listened to their colourful tales, invariably say: ‘you should write a book’! The first question I ask them (as nicely as possible) is: ‘why should anyone be interested in your life?’ They then answer: ‘because I’ve done so many interesting things’. That may be well and good, but what sets their life apart from anyone elses? I would usually advise these people to consider doing a lens book rather than a life story autobiography. On the other hand, some people just want to write their own story for friends and family. That’s a legitimate and noble reason, but please, don’t try to flog it on the open market. Life story autobiographies work best for already recognisable celebrities. For some bizarre reason we are interested in how long it took to potty train Paul McCartney or when Elizabeth Taylor first wore mascara. A good guide to help you get started in writing your life story is How to Write the Story of your Life by Frank P. Thomas.

Exercise 2
Would you like to write a cradle to grave autobiography? If so, why? Now, unless you only want to do it for family and friends - and family and friends actually want you to do it for them - talk yourself out of it. There. Don’t you feel better now?

Family Histories

The same principles can be applied to family histories. Many of us have colourful ancestors, but unless something in their lives can be a lens on a significant event, institution or person, their life-stories are not marketable. Of course, if you want to write your history to give your family a sense of place and belonging, by all means do so, but don’t expect the general public to buy it. If you come from an already famous family, that’s different. The husband of a colleague of mine has recently found some old ancestral diaries from World War I. He has just signed a deal with a leading literary agent to sell the diaries to a top publisher. But again, that is a lens on a significant period of social history. A successful family history book is My Traitor's Heart by Riaan Malan. This tells the story of Malan’s slave owning ancestors in South Africa and follows the family up to present day. However, Malan’s ‘lens’ is the shame of a liberal white man coming to terms with the racism of his ancestors. Writing your Family History by Deborah Cass is a good place to start. If you would like tips on tracing your history, then Track Down your Ancestors by Estelle Catlett will be a help. Seeing we’re in the digital age, an invaluable guidebook for any amateur genealogist is The Genealogist's Internet by Peter Christian. And, if you’re serious about your research, the Family Tree Maker will turn your humble PC into a genealogy machine

Exercise 3
Do you have any interesting ancestors who lived during interesting times? If so, what ‘lens’ could you use to write about them? Again, you can write your answers in the block below.

‘True-Life’ Articles

Most of the commercial women’s magazines and tabloid press offer good money for sensational ‘true-life’ articles. There are even agencies that specialise in placing your story such as Front Page Agency. If you are a writer though, you might be disappointed if the editors won’t allow you to write it yourself. They will allocate your story to a staff member familiar with ‘house style’ who will act like a ghostwriter. Not all true-life articles are tabloidesque, so if you have an inspirational tale to tell or something that others can learn from, check out these market opportunities.

Exercise 4
Have you ever overcome a serious illness or lived through a traumatic event and come out a better person? If so, jot down some thoughts and see which magazine you would feel comfortable approaching. Have you discovered creative solutions to common problems (good fodder for short magazine ‘fillers’ or tip pages)? Again, consider which magazines might pay you for this information. If you have a lot of material on one subject you might consider putting together a proposal for a ‘how to’ book eg ‘How To Raise a Special Needs Child - a mother’s guide.’

Top Tips For Writing from Life

• Even though this form of writing is technically non-fiction (that is based in fact), the most successful autobiographies, family histories and true-life stories are written using fiction techniques. View your material as research for a novel and consider plot development, characterisation and creative writing style. If you feel a little out of your depth, check out my free course on Creative Writing.
• If you’re wondering whether you’ve really got something worth putting into print, write it as a short story and ask someone who is good at writing to critique it. Don’t tell that person it’s really about you (obviously change names and don’t approach someone who knows you very well). If it’s successful it should be able to ‘pose’ as fiction.
• Make sure your friends and family approve of what you are doing. Many a family rift has occurred because one member saw events differently from another. You need to ensure you don’t compromise someone else’s confidentiality while hanging out your own dirty laundry or you may be open to a libel suit.
• If you’re struggling to remember past events clearly, spend a day paging through old photo albums, with, if possible, a couple of relatives who can fill in your memory gaps.

Exercise 5
Take a single memorable event from your past and tell the story in first person. Then rewrite the piece in third person and consider whether the event looks different to you now. See my article on writing from a point of view. This will encourage you to try to see yourself as a character in a story and allow you some objective writing distance. Now, if possible, ask another family member or friend to write their version of the event and see how it differs.

Next week we will look at travelogues and travel articles.